
ArtistShare simplified: Since 2003, ArtistShare has been allowing fans to show appreciation for their favorite artists by funding their recording projects in exchange for access to the creative process, LTD Edition recordings, VIP access to recording sessions and even credit listing on the CD. Unlike other companies we build the model around the artist while providing the best fan support in the industry. Preview a live ArtistShare fan-funded project here and see how the fans are making it happen.
The ArtistShare philosophy: The explosion of digital downloading has shaken the roots of the music industry as we’ve known it – the concept of creating music for sale has become a tenuous prospect, as record labels and artists continue to lose profits due to “illegal” file sharing. A variety of solutions have cropped up to prevent music from being devalued – from digital rights management to completely new pricing models. ArtistShare, however, is not looking to fight these emerging technologies; rather, we work with this new platform to the benefit the artist. The ArtistShare model was initially inspired and created in response the threat of digital piracy and the futility of digital rights management for music.
At ArtistShare, we believe that the true value of music lies in the artist’s individual creativity and the unique process each artist uses to create their music. Since its inception, ArtistShare has been redefining the music industry by allowing fans to finance artist projects in exchange for access to the artist’s creative process. By reaching out directly to the consumer and focusing on the innate value of music, ArtistShare has created a model that is immune to changes in the industry.
By shifting the focus of value to the "creative process", the
artist/creator is compensated before the work is release therefore
dramatically decreases the chances of losing revenue once the product is
released. The company believes that the advent of digital technology is
the beginning of a "new economy" where most products are viewed as a
"service" rather than a physical item that is owned by the end user.
A key element to any ArtistShare project is that the artist is in no way
required to relinquish ownership of copyright and in fact ArtistShare
discourages it in most cases.
ArtistShare fan-funded recordings at the Grammy Awards
47th Annual Grammy Awards– 2005 Winner: Best Large Jazz Ensemble Album Maria Schneider - Concert In the Garden, Nominee: Best Jazz Instrumental Solo Maria Schneider "Bulería, Solea y Rumba" -- Donny McCaslin, soloist (track from "Concert in the Garden”) Nominee: Best Instrumental Composition "Bulería, Solea y Rumba" -- Maria Schneider
48th Annual Grammy Awards– 2006 Winner: Best Instrumental Composition “Into The Light” Billy Childs Nominee: Best Instrumental Jazz Album “Lyric” Nominee: Best Instrumental Arrangement Billy Childs, arranger Nominee: Best Comedy Album The Agoraphobic Cowboy, Rick Moranis
49th Annual Grammy Awards– 2007 Winner: Best Latin Jazz Album Brian Lynch/Eddie Palmieri - Simpatico Nominee: Best Large jazz Ensemble Album Bob Brookmeyer - Spirit Music
50th Annual Grammy Awards– 2008 Winner: Best Instrumental Composition Maria Schneider - “Cerulean Skies” Nominee: Best Large Jazz Ensemble Album - Maria Schneider “Sky Blue”
52nd Annual Grammy Awards– 2010 Nominee: Best Jazz Instrumental Album - The Clayton Brothers - "Brother to Brother" Nominee: Best Latin Jazz Recording - Geoffrey Keezer - "Aurea"
53rd Annual Grammy Awards– 2011 Winner: Best Instrumental composition - The Path Among The Trees -Billy Childs Nominee: Best Jazz Instrumental Recording, Individual or Group - The Clayton Brothers - "New Song And Dance" Nominee: Gerald Clayton Best Instrumental Composition - Battle Circle - The Clayton Brothers - "New Song And Dance" Nominee: Best Large Jazz Ensemble Recording The Path Among The Trees Nominee: Best Instrumental Composition - Patrick Williams - Aurora Nominee: Best Instrumental Arrangement - "Fanfare For A New Day"
- Patrick Williams - Aurora
A BBC News feature on ArtistShare circa 2004
|